CHRIS CORSANO

Bio:

 Chris Corsano has gained a well-earned reputation as one of the hardest-working drummers around. Equally at home with intense kinetic explosions of energy and concentrated near-silence, he effortlessly flows from one idea to the next, always sympatico with his fellow musicians. He has recorded and gigged with, among others, Paul Flaherty, Thurston Moore, Jessica Rylan, Jim O'Rourke, Matt Heyner, Michael Flower, Nels Cline, Jandek, Greg Kelly, Daniel Carter, Six Organs of Admittance, Evan Parker, Sunburned Hand Of Man, Okkyung Lee, Wally Shoup, MV&EE, Keiji Haino, Dredd Foole, Vampire Belt, Joe McPhee, Björk, Carlos Giffoni, Akira Sakata, Christina Carter and Heather Leigh Murray.

 After moving from western Massachusetts, USA to Manchester, England in 2005 and then Edinburgh, Scotland a year later, Corsano focused on developing an expanded solo percussion music of his own, incorporating sax reeds, violin strings and bows, pot lids, adhesive tape and other household devices into his drumkit. In February 2006, he released his first solo recording, The Young Cricketer, and toured the UK opening for the mighty acoustic guitarist Jack Rose. In 2007 and '08 he's been drumming on Björk's Volta world tour as well as continuing his own projects.


Links:
www.myspace.com/chriscorsano - mp3s from The Young Cricketer and tour dates available here.
www.yod.com/hatedmusic.html - Flaherty-Corsano Duo website with mp3s, videos, press, discographies, tour dates, etc.


Photos: Click here for thumbnails of 300 dpi photos


Press Quotes:

"Corsano, despite being arguably the most riotosly energetic and creative drummer in contemporary free jazz, does far more than merely bash his kit into submission. Playing loud does not mean abandoning subtlety, and Corsano's sudden shifts of texture and dynamics are a wonder to behold." - Dan Warburton, The Wire (April 2006)

"At one point...Corsano even duos with himself, hurling spittle through a piece of horn while simultaneously pounding out a blurry beat. But that's just the tip of this massive iceberg, which drips with so many ideas and so much head-grabbing sound I almost wonder if Chris should retire now - this would easily qualify as the life-highlight of most sound-generating mortals." - Marc Masters' review of The Young Cricketer, Noiseweek (April 2006)

"Corsano is one of the best drummers of his generation" - Byron Coley, Arthur Magazine (Sept. 2002)

"Anyone who has ever seen him live already knows it, but this solo session [The Young Cricketer] slams the notion home; Chris Corsano is seriously one of the most exciting drummers on the planet." - Adam Richards, indieworkshop.com (Feb. 2006)

"...deadly drum explosions...swatting his kit as if it were covered in giant ants, with every component used to full effect - a tighly orchestrated beating of skins and rims resounding over the ensuing flow of inventive exploration" - Edwin Pouncey - The Wire

"Lately, it's become nearly impossible to escape tales of Corsano's multi-limbed approach to his kit, his willingness to explore the sonic possibilities hidden in every surface of his chosen instrument" - Chad Oliveiri, Rochester's City Paper (May 5, 2004).

"drummer Chris Corsano, a young free player who already looks like becoming the most significant and syntactically advanced percussionist to come out of the free rock/jazz nexus. His playing is so exuberant and explosively alive that it transcends any kind of responsive playing, inhabiting instead a sublime zone where pure energy spontaneously gives birth to form." - David Keenan, Scottish Sunday Herald (May 18, 2003)

"Corsano updates the multi-directional freedom of Rashied Ali and deftly shudders about the drums with jaw-dropping skillfulness, coaxing a staggering array of rhythms and sounds from his traps. Laced through it all is an undeniable display of raw emotion laid out like a sacrificial lamb, offered to the gods to save us all" - Chris Scofield, Fake Jazz

Reviews of The Young Cricketer:
Volcanic Tongue
Indie Workshop
Noiseweek
Mimaroglu Music Sales
Outer Space Gamelan